Cities

Oh the Stories They Could Tell…Astoria Armory Edition

by Michele Reeves on April 3, 2017

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This nondescript building in downtown Astoria, OR was hiding a surprise: a breathtaking expanse of clear span space with a rare domed lamella roof system. As unlikely as it appears on the exterior, this warehouse-like building was actually an Armory, constructed to provide entertainment for military personnel during World War II headquartered in this lovely Pacific Northwest spot — the gateway to the mighty Columbia River.

My grandfather was one of those people. He served in the Pacific Theater as a naval doctor and shipped out of Astoria. As a young child, my mother traveled up there with the family. Everyone thought her older sister was her mother! For me, the chance to tour this building and learn more about its past was like reaching back through time to picture life there in my grandfather’s era.

When I wandered through in 2013, the building had seen better days. It was on life support, being kept alive as a storage space for Astoria’s wonderful maritime museum. (When it comes to historic preservation, often, an occupied building is a saved building, no matter the type of occupancy.) As a consequence, the basement was a compelling jumble of nautical items from every era stored for future exhibits — boats, engines, harpoons. It was as if I entered the lair of a seafaring hoarder, with tightly packed treasure at every turn (see photos at the end of the post).

But the star of this space, even with the broken windows, dusty bleachers, and a bad stage remodel, was the soaring ceiling and the diamond shaped pattern of the roof. You could easily close your eyes and picture a crowded USO performance, hear the music, envision the mood.

One of the pure joys of my work is not only having the honor of seeing amazing structures and touring incredible places, but also witnessing communities take these assets and resurrect them to live another day. And that’s exactly what happened in Astoria.

The building was purchased by Craft 3, one of the most innovative Community Development Financial Institutions (CDFI) in the country. They bought the structure and leased it to an informal group of Astorians who had dubbed themselves “Friends of the Astoria Armory” (FOAA). The lease rate? $1. Basically, the deal was this: prove it can be a going concern, and Craft 3 would sell it to the FOAA.

According to this innovative lender, after buying it, Astorians put in about 1,000 volunteer hours and, and within a few weeks were hosting their first event: a roller derby bout! And over the next year and change, they clocked in over 175 events in the venue. In this short period of time, they proved the concept, formed a non-profit, and bought the Armory, with Craft 3 underwriting the loan.

This city of 10,000 is one of the best can-do small towns anywhere in the world. They restored and installed a rail trolley car on their riverfront tracks, they recently located and floated an historic ferry to Astoria that used to service the area, and now, they have restored their Armory, to name just a few of the incredible projects this community has made happen with duct tape, chutzpah, and a little bit of magic.

Please do check out the Astoria Armory site, marvel at the historic photos from the building’s heyday, and take heart, like I do, in the power of community and humanity to endlessly renew itself!

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My What a Quaint Bridge Tender House You Have Chicago

by Michele Reeves on July 31, 2016

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Who knew that competition was so fierce and cutthroat in the world of architectural boat tours in Chicago? According to our guide, who was a docent volunteer on the official Chicago Architectural Foundation tour, CAF has turned their river meanderings into one of the top visitor draws in the city, which, of course, has spawned a lot of copycats. Damn tour counterfeiters.

Although I was feeling smug about having chosen the right tour, in truth, if I am totally honest with myself (which I try to avoid), it would have never occurred to me to take the tour unless my friend (and planner) Sara King had recommended it!

And, I can unreservedly recommend it to anyone visiting , even if you have no interest in architecture. It’s just really darn fun to be toodling around on a boat, on a river, in such an amazingly urban place. Chicago is truly one of our grandest and most interesting cities visually.

Tidbits that jumped out at me: there is a building that was designed to look like a champagne bottle…The structure used as City Hall in some Bat Man movies is a gigantic and vacant historic Post Office (they abandoned it and built a really ugly new PO next door, refusing to connect it up to the Riverwalk, way to go Feds)…The Chicago Riverwalk was inspired by a Daley visit to San Antonio…They use locks to get from the River to Lake Michigan because the lake is higher than the river…Montgomery Ward was responsible for all of the miles of the public access to the lake in Chicago. I was very impressed by the latter — Ward spent years fighting the city’s plans to develop this land, using his own money. And to this day, he is the reason over 28 miles of coast line is open and accessible to regular folks. Huzzah to Montgomery Ward.

I was particularly taken with the lovely scale of the river — not too big, and not too small — and the appropriately charming bridges that cross the river. They are bascule designs, perfectly balanced upon a fulcrum to open and close with only a small motor to move them. The bridges, and the wide variety of bridge tender houses (no two are alike apparently), serve as a wonderful counterpoint to the modernity and height that arise around the river.

And there is no better vantage point to see these charming little houses than from the river! Here are some examples that I was able to catch, sun permitting!





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The Pinnacle of Artificial Places…in the US

by Michele Reeves on December 9, 2010

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You guessed it, I’m talking about Vegas baby, where I lived for a few years in the mid-nineties. (And let me tell you, once it gets over about 95 degrees, it doesn’t matter that it’s a dry heat, it’s still freaking hot!)

For decades, Las Vegas, Nevada was one of the few places left in the United States where a person with a high school education or GED could make a solid living wage (and, in some cases, a whole pile of dough) via any number of jobs at casinos, including dealing, valet and concierge. Because of the economic opportunities available in the city, it drew residents from a wide geographical swath.

From this diversity though, very little community has formed. There has never been much of a civic identity for residents, with all and sundry being overpowered by the gaming/hospitality industry. Everything revolves around gambling and entertainment. (If someone from Vegas tells you that people who live there never wager, they are lying. Just consider the vast number of casinos in the city targeted toward locals.) There are almost no public places created primarily for residents, particularly in the city’s core.

To summarize the layout of Las Vegas, I boil it down to three major rings (a little simplified, but it gives you the gist): There is the glitz and glamor of the Strip and downtown (Fremont Street experience), where visitors are encouraged to walk, but where locals rarely venture. I call that the first ring. Then there is the second ring that surrounds it, which is largely single-use, auto-centric sprawl that services the Strip and the casinos Downtown (pictured above circa 1952). And the third ring is comprised mostly of of gated communities and strip malls.

It was through this lens that I have been following two master planned developments in and around Las Vegas that have tried their hand at placemaking and have been less than successful.

The first is a project that began construction a few decades ago that is suburban in scale. It is a 3600 acre community called Lake Las Vegas, located in the working class suburb of Henderson, about a 45 minute drive from the Strip. Included in the development was the creation of whopping 320 acre lake, which is filled with water from nearby Lake Mead. The community, entirely constructed with a self described “old-world Mediterranean theme,” also features what they call a “European-style” shopping village, at least two resort hotels (one of which, the Ritz-Carlton, closed its doors), two marinas, three golf courses (all of which went into bankruptcy), and a private members-only social club.

Interestingly enough, I believe there was only one token casino in the project, an afterthought of sorts, which is now closed. Honestly, I found the lack of focus on gaming or glittery entertainment to be kind of refreshing while visiting (but this usually came after spending most of the day in the city proper). So, while it almost could feel like a relief, peace and tranquility is not really the reason that most people travel to Las Vegas. And, from a hospitality perspective, it is no surprise the Ritz Carlton always struggled in that location.

During a visit at the height of the real estate boom, I was surprised to see that their European-style village was devoid of customers. I asked the clerks in the stores about their business cycle and they relayed to me that they were heavily dependent upon large conferences at the hotels and the planned events and concerts held on the lake that drew people from the region at large. It was not a sustainable or authentic place that was supported by the neighborhood of Henderson. While there, I found the “faux” to be quite prevalent…it was like being in an upscale Mediterranean-themed area of Epcot, sans children. Acceptable as a pit stop before a show, or while wandering as a tourist, but it hardly felt like a place you would run into your neighbor while walking your dog or grabbing your morning cup of joe.

All of that is reflected in how hard this ritzy community has been hit during the economic downturn. It has no real gaming draw, either for locals or tourists. It has no mix of income types and certainly does not blend in with the surrounding neighborhoods in Henderson. There is little there to support existing businesses and create a sense of vibrancy or activity. And, its location on a lone arterial marks it as too distant from the core tourist draw of Las Vegas, making it difficult to lure tourists, especially in a recession.

The second project I’m going to look at was spearheaded by MGM Resorts and is called CityCenter, located in the heart of the action on a prime piece of real estate that has coveted frontage on Las Vegas Boulevard. As you will see, the idea of what makes a community, and how long it takes to develop its legs, has thrown them for a loop in this very urban “city within a city.”

CityCenter is the largest privately financed real estate development in the United States. Of the 76 acres they control, they have thus far built approximately 17 million square feet on roughly 67 acres of land. There are a mix of uses, including residential, hotel, casino, shopping, event and public spaces. It was designed by a slew of marquee architects, and the whole thing is uber green (my favorite sustainable feature is the fleet of compressed natural gas fueled limousines). But, despite these features, the project’s public community spaces are failing, and it’s having trouble attracting tourists as well. (Not to mention, one of its towers has serious structural flaws and may be a candidate for demolition.)

Yes, you read that right. With about 1300 feet of dirt directly on the Strip, they are having trouble enticing visitors into their project. That is shocking. But, as the Las Vegas Sun wrote recently, CityCenter’s designers mucked up the pedestrian entrance from the strip, leaving visitors on foot with an uneasy feeling about entering this conglomeration of dense towers with discreet parking lots.

“People crossing the street creates huge traffic problems and the county was adamant that these problems be solved,” said J.F. Finn, principal and managing director of Gensler in Las Vegas — the firm that led the design team crafting CityCenter. “You have to move people away from those vehicles.”

CityCenter may have created another problem in the process, architect and Las Vegas design critic Alan Hess said.

“The entrance has all the pleasantness of an airport terminal,” he said. “There’s a lot of concrete and ramps and other things that turn pedestrians off, and a sense of being channeled into an entryway.”

CityCenter is a theme park for urbanism…but somewhere along the line, they all seemed to forget that. Las Vegas Boulevard is not a real community, it is Disneyland for grownups. Its denizens are tourists. I find it incomprehensible that developers and architects thought they could create a functioning, authentic urban place within their inward-facing towers of concrete and steel wrapped in sexy green technology. It is an oasis that will never interconnect with its neighbors via a street grid that one might find in a real urban place. An oasis that purports to be green but is located in a desert city with a dwindling water supply. An oasis with few surrounding full time residents nearby.

The only way to make it succeed is to embrace its true nature. If they rework the entryway and are able to successfully populate it with tourists walking the strip, then they will come close to approximating a busy, thriving mixed-use district. It will be exactly like the “street scene” located on the interior in the New York, New York Hotel. Will it be active? Yes. Will it be a bona-fide community as well? Of course not.

I wanted to finish up with a quick story, the impetus actually, for me to write this blog post. You see, a month or so ago, I read a consultant’s blog about visiting this city within a city, reporting on their work to assist CityCenter with activating its public spaces and making it seem more “real.” One of their suggestions was a farmer’s market! Perfect. Because nothing says gen-u-ine Las Vegas to me like produce that comes from the rich fertile sand that extends far beyond the neon glow and irrigated wilted petunias.

(Photo of Lake Las Vegas by joevare, under this creative commons license. Photo of CityCenter by michaelcortina, under this creative commons license.)

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Easy to Build, Hard to Reuse

by Michele Reeves on October 28, 2010

Bridgeport Village

This faux downtown lifestyle center in Tigard, Oregon, called Bridgeport Village, has created a riotous cacophony of demand from various suburban communities throughout the Portland Metro region: “Hey, we want one of those malls in our town!!”

Aside from the fact that we are not going to see US consumer buying power expand any time soon, and aside from the fact that many of these places have real historic downtowns that are languishing and could use some love, the reality is that the proliferation of structures that cannot be adaptively reused easily is creating future headaches for property owners, city government, and the neighborhoods that surround them.

For the life of me, I cannot imagine why, in this economic climate, a city would pursue the construction of a large lifestyle center, since it would merely shift existing retailers from older malls or big box locations into these sexy new buildings, leaving difficult-to fill space behind. So, what do you do with dying malls and empty big box locations?

Below, Ellen Dunham-Jones shares a host of interesting suburban adaptive reuse projects based on her book: Retrofitting Suburbia: Urban Design Solutions for Redesigning Suburbs. She has uncovered some very innovate approaches throughout the country, but I fear our supply of dying malls is going to far outstrip our ability to fill them.



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Tacoma, I Hardly Knew Ya

by Michele Reeves on October 13, 2010

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“Yowza, at some point in the past, this city was giving Seattle a run for its money,” I thought to myself on a recent visit to Tacoma, a city I’ve been to, or through, a zillion times, but have never experienced as a tourist.

This impression arose after perusing the historic industrial district that has been renovated into the University of Washington, Tacoma. All you have to do is look at the 90 foot rotunda (pictured to the left) of the historic Union Station (originally a railroad station, now a Federal courthouse) to realize that this was a very important city on the West coast at the end of the 19th century.

After wandering around the city, I felt the need to do some historical digging when I returned to my hotel room. During said perusal, I learned that Tacoma was the envy of Seattle and Portland in 1873, when it won the race to become the western terminus of the Northern Pacific Railroad (NP), which was chartered by Congress in 1864, and broke ground in Minnesota in 1870.

It wouldn’t be until the summer of 1888 though, before the NP’s lines were uninterrupted from the shores of Lake Superior to the Puget Sound, all thanks to the completion of the Stampede Tunnel through the Cascades.

The latter half of the 19th and early 20th century were times of intense political jockeying in Portland and Seattle, with both cities laboring to ensure that they were not left out in the race to be connected to the railroad. For Portland, this was especially problematic due to the plethora of nearby rivers. In 1883, a gigantic rail ferry was put into service, over 300 feet long and 42 feet wide, that could carry the trains across the Columbia River and connect the rail lines here with the service to the north. The ferry was the second largest in the world and had three parallel tracks that could carry all types of train cars, including engines. Rail service between Oregon and the Puget Sound continued in this manner until a permanent bridge was erected across the wild Columbia. The NP Columbia River Bridge, like the Stampede Tunnel, was finished in the summer of 1888.

The gorgeous train depot in Tacoma, Union Station, opened its doors in 1911 and was designed by Reed and Stem, the architects of Grand Central Station. In my opinion, it is far grander than either Portland’s or Seattle’s train stations.

More happy discoveries about Tacoma:

  • There is some real drama borne from the mix of older and newer architectural form.
  • They have a 1.6 mile streetcar/light rail system that is free and runs commuters from transportation hubs and parking to downtown.
  • Their historic buildings throughout the central core are being upgraded and renovated, making for some pretty compelling places.

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